The fact that this stunt was performed for real makes it all the more impressive, and it's no wonder that audiences would want to pause the scene to fully appreciate the level of skill and bravery involved. It required incredible precision and skill from the stunt driver, as well as a specially designed car and ramp. This stunt is particularly impressive because it was performed for real, with no special effects or computer-generated imagery involved. The car performs a series of acrobatic flips through the air before finally landing on the other side, much to the amazement of the audience. Bond then has to cross a topsy-turvy bridge in order to continue following Scaramanga. In the scene, James Bond chases his nemesis Scaramanga, played by Christopher Lee, in an AMC Hornet before losing him. The corkscrew car jump scene in The Man With The Golden Gun is certainly one of the most impressive and insane car stunts in film history. Apparently no one realized that the cardboard cutout of Danson wearing a top hat actually appears again during the film in a more prominent position. The idea of a ghost appearing in a comedy film was certainly unexpected and shocked many viewers, adding an extra layer of intrigue to an already entertaining film. The film was released in the late 1980s, a time when the supernatural and paranormal were becoming increasingly popular themes in popular culture. This scene caused quite a stir among audiences at the time, with many people believing that the cardboard cutout was actually a ghost. As they rush around the room, a cardboard cutout of a character can be seen in the background, seemingly standing on its own. It brings back memories, especially for the older people who didn’t have televisions.Did you catch this strange and shocking moment in the most popular film of 1987? The uber-paused scene in the film Three Men and a Baby (1987) occurs during a pivotal moment in the plot when the characters played by Tom Selleck, Steve Guttenberg, and Ted Danson are frantically trying to get the baby to sleep. “I had watched ‘The Waltons’ so I knew what she was talking about. “Jeanne came to me with this idea,” Muscato said. It’s also different than recreational activities such as athletics and arts and crafts, she said. “She is enthusiastic, and the goal is to provide enjoyment. “Jeanne is so passionate about this group,” said Cathy Muscato, former director of the community center. The rehearsals help them develop a rhythm with the speaking parts, Miller said. “The audience can see us, so we interact with them. “I love being part of this creative group we improvise with each other,” said Richard Lerach of Collier. They get to hear, and see, the characters. They’ve been performing in personal care and nursing homes because many of the residents remember those radio shows. When doing the shows, it is important to speak loud and clear, Belle said. “I am good at talking to myself so I absolutely enjoy this,” said Doughty. “It’s about doing something for the community.”īeing part of the Vintage Radio Players is a way for him to express his alter ego, said Fred Barnes of Scott, who also read old-time commercials. “It’s about telling stories,” Miller said. The participants usually read two scripts for a performance and will partake in trivia questions with the audience. “I just love doing radio shows,” she said as she instructed the group to get ready to rehearse.Įach script reading is half an hour. She read commentary on the radio for people who are blind. Miller became interested in leading such a group through volunteering with the Greater Pittsburgh Literacy Council. “Radio creates something that television doesn’t.” “The older audience members remember this stuff,” Miller said. ![]() They rotate parts so everyone gets a lead role. The group had been apart for two years because of the pandemic, but is looking to get back to performing. “It’s all about timing, and you have to sound conversational,” Miller said. Members sit around a table and read their lines. She has three suitcases full of them, as well as props such as coconuts to simulate horses galloping to for this show a milk bottle with coins in it – all to create sound effects. Miller has acquired many scripts from the 1940s and ’50s, from romances to mysteries.
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